School of Architecture & Design

Expertise from the University of Lincoln has once again contributed to a win at one of the world’s most prestigious flower shows.

The Essence of Australia garden, which Dr Duncan Rowland from Lincoln’s School of Computer Science worked on, won a Gold Medal and Best in Show at the RHS Hampton Court Palace Flower Show. Dr Rowland’s research into how Twitter can be used to control and affect external objects was used to regulate a water feature within the garden.

This follows the University of Lincoln’s Gold win at the RHS Chelsea Flower Show in 2013. The unique Twitter-controlled garden, Digital Capabilities responded to live Twitter activity, enabling the public to directly influence how the garden appeared at any one time.

That project was a cross-disciplinary collaboration between academics from the University’s School of Computer Science, School of Psychology and School of Architecture together with designers Harfleet & Harfleet.

The inspirational Essence of Australia garden was designed by the Australian landscape designer, Jim Fogarty, for the Royal Botanic Gardens Melbourne in partnership with Tourism Victoria, Tourism Northern Territory, Qantas and leading UK tour operator, Trailfinders.

It tells the story of the Rainbow Serpent, an Aboriginal dreamtime story about a mythical creature that lived underground and created the mountains and the gorges. Visitors can ‘wake up’ the serpent by tweeting #EssenceOfAus. The presence of water in the Australian landscape is also an integral part of the design.

The garden celebrates Australian flora and contemporary design, evoking the relaxed feel of Australia and Australians’ love of outdoor living as well as celebrating the states and gardening landscapes of Victoria and Northern Territory as two key travel destinations for British holidaymakers.

Dr Rowland’s primary research interests focus on engaging in creative practice to explore the human condition via relationships with digital devices and more traditional media.

He said: “It was fantastic to see Twitter activity controlling the water feature, which represented the waking of the mythical serpent. But what is also nice on a personal level is that the curiosity-driven research I initially did on interfacing and Twitter has had such immediate utility. I began by simply turning my desk lamp on and off with Tweets and set up a Tweet-able webcam in my office window. The work developed and was then included in the Digital Capabilities garden last year.

“It’s great to be able to evidence the value of blue-sky research at Lincoln and it has been an honour to work with such well-respected horticultural talents again.”

Dr Rowland’s research is also used in the University’s STAN (Science Technology Architecture Networks) research project, which is exploring whether architecture is able to reflect and map human emotions. The STAN garden, which is controlled by people’s responses via Twitter, consists of an articulating raw steel structure that continuously transforms itself. Follow STAN on Twitter @thestanproject

It appeared recently at the Garden Up horticultural event in Sheffield and the Lincolnshire Show.

A Twitter-reactive garden could provide a prototype for the future development of ‘smart’ buildings that can adapt to our emotional state.

The structure has been created by academics from the University of Lincoln, UK, taking its inspiration from the University’s Digital Capabilities garden, which won Gold at the RHS Chelsea Flower Show 2013.

The STAN (Science Technology Architecture Networks) research project, which involves computer scientists and architects, is exploring whether architecture is able to reflect and map human emotions.

The garden consists of an articulating raw steel structure, which sits vertically and horizontally, and is controlled by people’s responses via Twitter. In this way it is continuously revealing what the landscape is covering, while also remodelling itself.

The STAN project will be making its first public appearance at the Garden Up horticultural event in Sheffield on 7th and 8th June 2014.

The garden will react to activity on Twitter when people use the #gardenup hashtag, translating this information into movements of the garden’s mechanical landscape.

Richard M Wright, Senior Lecturer in the Lincoln School of Architecture, developed the construct, together with fellow academic Barbara Griffin and students Amy Hayeselden, Nicholas Sharpe and Liam Bennett from the University’s School of Architecture.

He said: “The garden essentially points to a future in which buildings could modify themselves in response to monitoring our emotional state via social media. For example, if we feel like wearing a big cosy jumper and sipping a cup of boiling hot soup, it will turn the temperature down and open a window. Buildings may also begin to reflect the mood of a populace by changing colour or shape, constantly remapping our perception of our urban environment, with façades becoming animated, reflective and mobile in response to communal desires and emotions.

“The fact we decided to retain the structure’s raw metal appearance is a tangible reminder of Sheffield’s industrial past, changing and weathering as a result of the environment.”

Dr Duncan Rowland, a fine artist and Reader in the School of Computer Science, developed the software application. He added: “We exist in a dynamic flux of social information; the software aims to intercept and expose some of this data in a tangible representation.”

The STAN project will also be making an appearance at the Lincolnshire Show which takes place on 18th and 19th June 2014.

Horticultural experts, Crowders Nurseries of Horncastle, will be providing the plants for Lincolnshire Show with Samantha Snowden providing horticultural and plant design expertise for both events.

Follow @thestanproject on Twitter to learn more about the project.

Saturday 15^th March saw forty applicants for BA (Hons) Architecture taking part in an intensive studio session. They worked with twelve student tutors from second third and fifth years to create fantastic models based on Italo Calvino’s Invisible Cities. The book is a conversation between Marco Polo and Kublai Khan describing the cities the explorer has visited in his travels around the Khan’s empire.

Each group of four applicants was given a fragment of text and, working very quickly, produced 2D representations of the city they imagined. With their student tutor, the group decided on the most promising aspects to bring together to make their 3D representation. They could choose to model the whole city at Lilliputian scale or to model a representative fragment of the city at close to full scale.

The three-hour project engaged us in multi-disciplinary teamwork of the kind that we can expect all designers to experience in contemporary practice. The project also tested ingenuity in spotting the potential in materials and adapting proposals to accommodate evolving ideas generated by the group.

This project demonstrated that a great deal can be achieved in a short time by imaginative people exploring architecture in a creative environment. The buzz and the energy generated and the beautiful work produced made this a great experience for everyone involved. We can’t wait to start work for real with this group of applicants as the core of our first year in September 2014.